Now, THAT is worth cheering for. Kudos, John Wall. I will attend more basketball games just to see your dance moves.
What's not worth cheering for, however, is the portrayal of Washington, DC, in "The Event." For those of you too hypnotized by John Wall's "Dougie" (that sounds unintentionally dirty), "The Event" is a new television show that combines all the absurdness of "24" with all the 'tardness of "LOST." (I can't wait to find out it's all due to a Hot Tub Time Machine in a cave again...)
Sure, the mystery, sci-fi storyline may seem enticing at first, but a closer look at how this show handles details makes me automatically lose faith. At one point in the last episode they make reference to the Metro. Someone gets on the Metro at Farragut North and sets off east. The next thing we hear is, "She just passed the Van Ness station. The next station is two miles, Metro Center." Uh, really? I mean, just a quick Google and the writers could've avoided that amazingly illogical statement. Why would someone get on at Farragut North, then travel WEST to Van Ness before then traveling east to Metro Center and eventually Chinatown?
Also, this is what the Metro car looks like:
I mean, really, if they can't even get something as simple as the order of the stations or the design of a typical DC Metro correct, how am I going to believe they're going to be able to resolve such a complicated storyline?
But that's not all! Didn't you see? Chinatown looks like this now in TV land:
Look, I wish Chinatown looked like that. I would LOVE to see a legitimate newsstand in this city, but alas, that doesn't exist. I mean, really, who did the research for the set for this show? A toddler? An intoxicated toddler? A blind intoxicated toddler? Because it's just wrong. And like I said, if a multimillion-dollar production crew can't understand that, at the very least, a few thousand dollars worth of stock footage would've been a good idea, then I really can't see how this show expects me to care about it. As far as I'm concerned, a more interesting storyline would be for a scientists to harness the aliens' anti-aging gene and market it to the public-at-large. How would living five times as long as we do now change our way of life? Now, that's a show. I'm going to set it in Miami and use footage of Anchorage to portray it. Now, all I need is a intoxicated blind toddler to ignore all the important details. I smell an Emmy!